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Serving in Sucre, Bolivia
Family members led by the matriarchs in yellow dresses appear in order: first the husbands dressed in red, next come the daughters in green, followed by the sons in blue. The families dance their way to the football stadium where the next part of the celebrations takes place.
Two plays begun, as medieval mystery plays, are enacted. The first portrays the Conquest by the Spanish conquistadores. The second is the triumph of the Archangel Michael as he defeats the devils and the Seven Deadly Sins with his flaming sword. The results of the battle are announced and the Patron Saint of the Miners, the Virgen del Socavon, and the dancers sing a Quecha hymn.
Although the references to the Spanish conquest and the downtrodden state of the Bolivian peasants are very clear, this festival is based on the pre-Colonial ceremony of giving thanks to the earth-mother Pachamama. It commemorates the struggles of good and evil and the early Catholic priests allowed it to continue with a Christian overlay in an effort to pacify the local natives.
The celebration of carnaval continues for days (normally 5 days in Sucre) as the diablada dancers break into smaller groups and continue dancing around huge bonfires. Onlookers join the procession at any point and with the consumption of strong Bolivian beer and the very potent chicha, made from fermented cereals and corn, they get rowdy. Many sleep in doorways or where they fall until they awake and continue celebrating."